EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023

International Film Festival

Toruń, 11 - 18 November 2023

Polski English
EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023

International Film Festival

Toruń, 11 - 18 November 2023

EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023 a
  • Home
  • EnergaCAMERIMAGE 2023
  • About Us
  • Partners
  • Photos
  • Guests
  • Archive
  • GDPR
  • Sponsors
  • Contact
Polski English
EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023
  • General Information
  • Competitions
    • Konkurs Główny
    • Polish Films Competition
    • Film and Art School Etudes Competition
    • Documentary Competitions
    • Debuts Competitions
    • TV Series Competition
    • Music Videos Competition
    • Konkurs Spotów Reklamowych „Fundusze Europejskie W Kadrze”
  • Talent demo
  • Guide
    • Festival Locations
    • Accommodation
    • Toruń
    • Getting there
    • For students
  • Program
a
EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023
  • 2006
  • 2007
  • 2008
  • 2009
  • 2010
  • 2011
  • 2012
  • 2013
  • 2014
  • 2015
  • 2006
  • Awards
  • Guests
  • Workshops & seminars
  • Varia
  • 2007
  • Awards
  • Guests
  • Workshops & seminars
  • Miscalleanous
  • 2008
  • Awards
  • Guests
  • Workshops & seminars
  • Camerimage Market
  • Miscalleanous
  • 2009
  • Awards
  • Guests
  • Workshops & seminars
  • Camerimage Market
  • Miscalleanous
  • 2010
  • Awards
  • Workshops & seminars
  • Guests
  • Camerimage Market
  • Miscalleanous
  • 2011
  • Awards
  • Guests
  • Workshops, seminars & market
  • fotografowie.com
  • Miscalleanous
  • 2012
  • Awards
  • Guests
  • Workshops, seminars & market
  • fotografowie.com
  • Miscalleanous
  • 2013
  • Camerimage Market
  • Guests
  • Awards
  • Workshops & seminars
  • Miscalleanous
  • 2014
  • Guests
  • Awards
  • Camerimage Market
  • Workshops & seminars
  • Miscalleanous
  • 2015
  • Guests
  • Awards
  • Workshops & seminars
  • Camerimage Market
  • Miscalleanous
a
EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023
  • EnergaCAMERIMAGE 2023
  • EnergaCAMERIMAGE 2022
  • EnergaCAMERIMAGE 2021
  • EnergaCamerimage 2020
  • EnergaCamerimage 2019
  • EnergaCamerimage 2018
  • Camerimage 2017
  • Camerimage 2016
  • Camerimage 2015
  • Camerimage 2014
  • Camerimage 2013
  • Plus Camerimage 2012
  • Plus Camerimage 2011
  • Plus Camerimage 2010
  • Plus Camerimage 2009
  • Plus Camerimage 2008
  • Plus Camerimage 2007
  • Camerimage 2006
  • Camerimage 2005
  • Camerimage 2004
  • Camerimage 2003
  • Camerimage 2002
  • Camerimage 2001
  • Camerimage 2000
  • Camerimage 1999
  • Camerimage 1998
  • Camerimage 1997
  • Camerimage 1996
  • Camerimage 1995
  • Camerimage 1994
  • Camerimage 1993
  • Camerimage 1993 - 2000
  • Bez kategorii
  • EnergaCAMERIMAGE 2023
  • News
  • EnergaCAMERIMAGE 2022
  • News
  • EnergaCAMERIMAGE 2021
  • News
  • EnergaCamerimage 2020
  • News
  • EnergaCamerimage 2019
  • News
  • EnergaCamerimage 2018
  • News
  • Camerimage 2017
  • Forum Prawnicze
  • News
  • Camerimage 2016
  • News
  • Award
  • Legal Forum
  • Camerimage 2015
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Camerimage 2014
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Camerimage 2013
  • News
  • Poster
  • Award
  • Summary
  • Plus Camerimage 2012
  • News
  • Poster
  • Award
  • Exhibitions
  • Summary
  • Plus Camerimage 2011
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Plus Camerimage 2010
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Plus Camerimage 2009
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Plus Camerimage 2008
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Plus Camerimage 2007
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Camerimage 2006
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Camerimage 2005
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
  • Camerimage 2004
  • Poster
  • Award
  • Summary
  • Camerimage 2003
  • Poster
  • Award
  • Exhibitions
  • Summary
  • Camerimage 2002
  • Poster
  • Award
  • Summary
  • Camerimage 2001
  • Poster
  • Award
  • Summary
  • Camerimage 2000
  • Poster
  • Award
  • Camerimage 1999
  • Poster
  • Award
  • Exhibitions
  • Camerimage 1998
  • Poster
  • Award
  • Camerimage 1997
  • Poster
  • Award
  • Camerimage 1996
  • Poster
  • Award
  • Camerimage 1995
  • Poster
  • Award
  • Camerimage 1994
  • Exhibitions
  • Award
  • Camerimage 1993
  • Poster
  • Award
  • Camerimage 1993 - 2000
  • Summary
  • Bez kategorii
a
EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2022
  • Main Competition
  • Polish Films Competition
  • Film And Art School Etudes Competition
  • Cinematographers' Debuts Competition
  • Directors' Debuts Competition
  • Documentary Features Competition
  • Documentary Shorts Competition
  • TV Series Competition
  • Music Videos Competition
  • OKO Film Festival
  • International Ethnographic Film Festival OKO - National Short Films Competition
  • Baltic Cinema Review
  • Special Screening
  • Documentary Special Screening
  • Contemporary World Cinema
  • Panorama Etiud Studenckich Szkół Filmowych i Artystycznych
  • HFF Munich Film School Review
  • Stephen H. Burum Retrospective
  • Alex Gibney Retrospective
  • Ulrike Ottinger Retrospective
  • Ukrainian Poetic Cinema
  • Ukrainian Film Festival of Art of Cinematography KINOKO presents
  • OKO Film Festival
  • Inspiring Images
  • 2021
  • Main Competition
  • Polish Films Competition
  • Film And Art School Etudes Competition
  • Music Videos Competition
  • Documentary Features Competition
  • Documentary Shorts Competition
  • Cinematographers' Debuts Competition
  • Directors' Debuts Competition
  • TV Series Competition
  • Mistrzowie, którzy odeszli
  • Panorama Etiud Studenckich Szkół Filmowych i Artystycznych
  • Special Screening
  • Baltic Cinema Review
  • Przegląd szkoły filmowej La Fémis
  • Documentary Special Screening
  • Retrospektywa Josta Vacano
  • Retrospektywa Philippe Rousselota
  • Talent Demo Showcase
  • Contemporary World Cinema
  • Zaakceptować nieznane
  • 2020
  • Main Competition
  • Polish Films Competition
  • Cinematographers' Debuts Competition
  • Directors' Debuts Competition
  • Documentary Features Competition
  • Documentary Shorts Competition
  • Student Etudes Competition
  • First Look - TV Pilots Competition
  • Music Videos Competition
  • Retrospektywa Philippe'a Rousselota
  • Special Screenings
  • Pokazy Specjalne Filmów Dokumentalnych
  • Contemporary World Cinema
  • Baltic Cinema Review
  • Student Etudes Panorama
  • FINA-l Film Restorations
  • Meetings and Q&A
  • Workshops and seminars
  • Other events
  • 2019
  • Main Competition
  • Polish Films Competition
  • Cinematographers' Debuts Competition
  • Directors' Debuts Competition
  • Documentary Features Competition
  • Documentary Shorts Competition
  • Music Videos Competition
  • First Look - TV Pilots Competition
  • Student Etudes Competition
  • John Bailey Retrospective
  • Peter Greenaway Retrospective
  • Lech Majewski Retrospective
  • Helena Třeštíkova Retrospective
  • Danny DeVito Retrospective
  • Ewa Dałkowska Retrospective
  • Special Screenings
  • Pokazy Specjalne Filmów Dokumentalnych
  • Contemporary World Cinema
  • Baltic Cinema Review
  • Films for Art - Art for Films
  • Student Etudes Panorama
  • ICG ECA Winners
  • ARRI workshops and seminars
  • PANAVISION seminars and workshops
  • SONY seminars and workshops
  • PANASONIC Seminars
  • ZEISS Seminars
  • CANON seminar and workshop
  • Seminaria, prezentacje, dyskusje
  • Meetings and Q&A
  • Exhibitions and other events
  • 2018
  • Main Competition
  • Polish Films Competition
  • Student Etudes Competition
  • Music Videos Competition
  • Documentary Features Competition
  • Documentary Shorts Competition
  • Cinematographers' Debuts Competition
  • Directors' Debuts Competition
  • First Look - TV Pilots Competition
  • Witold Sobociński Retrospective
  • Special Screenings
  • Contemporary World Cinema
  • Pokazy Specjalne Filmów Dokumentalnych
  • Czech Cinema Review
  • Baltic Cinema Review
  • Mistrzowie, którzy odeszli
  • Freedom With No Borders
  • Student Etudes Panorama
  • Best of AGRFT
  • ICG ECA Winners
  • Advocate For Our Rights
  • Seminaria i warsztat ARRI
  • Warsztaty PANAVISION
  • ZEISS Seminars
  • Seminarium i warsztat SONY
  • Seminaria i warsztat CANON
  • Seminarium PANASONIC
  • Seminaria, prezentacje, dyskusje
  • Meetings and Q&A
  • Exhibitions and other events
  • 2017
  • Seminars, meetings and workshops
  • Main Competition
  • Polish Films Competition
  • Student Etudes Competition
  • Documentary Features Competition
  • Music Videos Competition
  • Documentary Shorts Competition
  • Cinematographers' Debuts Competition
  • Directors' Debuts Competition
  • First Look - TV Pilots Competition
  • John Toll Retrospective
  • Frederick Wiseman Retrospective
  • Remembering the Masters: Raoul Coutard
  • Special Screenings
  • Contemporary World Cinema
  • European Panorama
  • Baltic Cinema Review
  • Irish Cinema Review
  • Music Videos Special Screening
  • Pokazy Specjalne Filmów Dokumentalnych
  • The Best of HBO
  • ICG ECA Winners
  • Student Etudes Panorama
  • The Best Of The National Film School at IADT
  • ARRI workshops and seminars
  • VANTAGE seminar
  • PANAVISION seminar and workshop
  • ZEISS seminar
  • RED seminars
  • PANASONIC Seminars
  • CANON seminars and workshops
  • Seminarium i warsztat SONY
  • Seminaria, prezentacje, dyskusje
  • Meetings and Q&A
  • Accompanying Exhibitions
  • Other events
a
EnergaCAMERIMAGE 2023 EnergaCAMERIMAGE 2023
  • a
  • b
  • c
  • d
  • e
  • f
  • g
  • h
  • i
  • j
  • k
  • l
  • Ł
  • m
  • n
  • o
  • p
  • q
  • r
  • s
  • t
  • u
  • v
  • w
  • y
  • z
  • ż
a
  • Home
  • EnergaCAMERIMAGE 2023
  • About us
  • Partners
  • Guests
  • Archives
  • Sponsor Guide
  • Contact
Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors
Filter by Categories
EnergaCAMERIMAGE 2023
News
News
Poster
News
Poster
News
Poster
Forum Prawnicze
News
Summary
News
News
News
Exhibitions
News
News
News
Poster
News
Poster
Poster
News
Poster
EnergaCAMERIMAGE 2022
News
Poster
News
News
Poster
News
Poster
News
Poster
Award
Award
Award
Award
Poster
Award
Poster
Award
Poster
Award
Poster
Award
Poster
Award
Award
Award
EnergaCAMERIMAGE 2021
Poster
Award
News
Poster
Poster
Poster
Poster
Poster
Award
Award
Award
Exhibitions
Award
Summary
Award
Summary
Award
Exhibitions
Award
Summary
EnergaCamerimage 2020
Award
Award
Award
Award
Award
Legal Forum
Exhibitions
Summary
Legal Forum
EnergaCamerimage 2019
Summary
Legal Forum
Legal Forum
Legal Forum
Legal Forum
Legal Forum
Legal Forum
Legal Forum
Legal Forum
Exhibitions
Exhibitions
EnergaCamerimage 2018
Exhibitions
Exhibitions
Exhibitions
Exhibitions
Exhibitions
Exhibitions
Exhibitions
Summary
Summary
Summary
Summary
Camerimage 2017
Summary
Summary
Summary
Summary
Summary
Camerimage 2016
Camerimage 2015
Camerimage 2014
Camerimage 2013
Plus Camerimage 2012
Plus Camerimage 2011
Plus Camerimage 2010
Plus Camerimage 2009
Plus Camerimage 2008
Plus Camerimage 2007
Camerimage 2006
Camerimage 2005
Camerimage 2004
Camerimage 2003
Camerimage 2002
Camerimage 2001
Camerimage 2000
Camerimage 1999
Camerimage 1998
Camerimage 1997
Camerimage 1996
Camerimage 1995
Camerimage 1994
Camerimage 1993
Camerimage 1993 - 2000
Bez kategorii
Reset password Create an account
EnergaCAMERIMAGE 2023
  • News
EnergaCAMERIMAGE 2022
  • News
EnergaCAMERIMAGE 2021
  • News
EnergaCamerimage 2020
  • News
EnergaCamerimage 2019
  • News
EnergaCamerimage 2018
  • News
Camerimage 2017
  • Forum Prawnicze
  • News
Camerimage 2016
  • News
  • Award
  • Legal Forum
Camerimage 2015
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
Camerimage 2014
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Camerimage 2013
  • News
  • Poster
  • Award
  • Summary
Plus Camerimage 2012
  • News
  • Poster
  • Award
  • Exhibitions
  • Summary
Plus Camerimage 2011
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Plus Camerimage 2010
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Plus Camerimage 2009
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Plus Camerimage 2008
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Plus Camerimage 2007
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Camerimage 2006
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Camerimage 2005
  • News
  • Poster
  • Award
  • Legal Forum
  • Exhibitions
  • Summary
Camerimage 2004
  • Poster
  • Award
  • Summary
Camerimage 2003
  • Poster
  • Award
  • Exhibitions
  • Summary
Camerimage 2002
  • Poster
  • Award
  • Summary
Camerimage 2001
  • Poster
  • Award
  • Summary
Camerimage 2000
  • Poster
  • Award
Camerimage 1999
  • Poster
  • Award
  • Exhibitions
Camerimage 1998
  • Poster
  • Award
Camerimage 1997
  • Poster
  • Award
Camerimage 1996
  • Poster
  • Award
Camerimage 1995
  • Poster
  • Award
Camerimage 1994
  • Exhibitions
  • Award
Camerimage 1993
  • Poster
  • Award
Camerimage 1993 - 2000
  • Summary
Bez kategorii

DOCUMENTARY FEATURES COMPETITION 2018 LINE-UP

Monday October 15th, 2018

We announce the line-up of the Documentary Features Competition "IMAGE OF THE WORLD AND WORLD IN IMAGES" of the 26th edition of the International Film Festival of the Art of Cinematography EnergaCAMERIMAGE.
 
The aim of the competition is to recognize the art of documentary filmmaking as creative interpretation of reality. Putting emphasis on the visual and aesthetic aspects of the selected nonfiction entries, the jury awards the best cinematographers in the competition.



Greenaway Alphabet, The


Peter Greenaway constructs an alphabet for and with his daughter Zoë as a blueprint of his life. The fascinations of filmmaker Peter Greenaway, whose motto is “art is life and life is art”, are captured like butterflies and arranged in an alphabet, a form suiting him perfectly as an encyclopedist. In intimate conversations with his perceptive 16-year-old daughter Zoë, we discover the “whos, whats, and whys” about Greenaway. They begin with A, which stands for Amsterdam, but could also stand for autism, Zoë suggests. Greenaway’s boundless creativity and unconstrained flow of words brings this to mind indeed, and he admits to wearing the label with pride. The playful conversations don’t shy away from painful topics: we hear that Greenaway hasn’t seen two other children of his for years. Later, heartbroken and in tears, Zoë asks him if for once he can stop talking like a commentator. Zoë’s spontaneous questions penetrate Greenaway to the core, enabling his wife, multimedia artist Saskia Boddeke, to make a deeply personal portrait not only of the artist, but also of Greenaway the father in his battle against time.

Original title: Het Greenaway Alfabet
Director: Saskia Boddeke
Cinematographers: Ruzbeh Babol, Saskia Boddeke, Sander Snoep
Produced by: Beeld
Country and year: Netherlands, 2017


I, Dolours


A cinematic, yet intimate and complex, portrait of Dolours Price. Two years before she died, the militant IRA activist, hunger striker, and dissident Republican gave a filmed interview on the condition that it would not be broadcast in her lifetime. This shocking film brings us deep inside the IRA and charts one woman’s journey from a passionate idealist to a disillusioned cynic, haunted by the memories of the terrible things she did for a cause she once so strongly believed in, and killed for, but which she believes was ultimately betrayed. Dolours Price resists easy stereotyping – she was a ruthless revolutionary/terrorist who did not shirk a single task, however brutal. She demanded her equal place among the male-dominated IRA and was pitiless in her scorn for those who did not share her total commitment. Passionate but fragile, dogmatic, yet tortured, she was also a beautiful, charismatic woman, loving mother, devoted sister, and friend. Fascinating, moving, and at times deeply disturbing – this is her story.

Director: Maurice Sweeney
Cinematographer: Kate McCullough
Produced by: New Decade TV Ltd
Country and year: Ireland, 2017


Karenina & I


Norwegian actress Gørild Mauseth is challenged by the almost impossible task of playing Anna Karenina in a language she’s never spoken, and in the author’s home country. She embarks on a journey to learn Russian and discover the real reasons why Tolstoy wrote the novel. What Gørild does not know is that Anna Karenina will become the role of her life and change her forever. Gørild’s quest takes her 11,000 kilometres on the Trans-Siberian Railway to the Gorky Drama Theatre in Vladivostok. Along the way, she visits theatres, film studios, and opera houses, while also meeting fellow artists, Tolstoy’s relatives, and ordinary Russians. The film provides a unique insight into how an actor explores the boundaries between fiction and reality. Literature, theatre, and real life come together, portraying Anna Karenina like no Hollywood or Moscow blockbuster have ever done. It is about understanding love, enduring loneliness, pursuing hopes and dreams, and living life to the fullest.

Director: Tommaso Mottola
Cinematographers: Andreas Ausland, Tommaso Mottola, Gleb Teleshov
Produced by: Orto Polare AS
Country and year: Norway, 2017


Over the Limit


Margarita Mamun, an elite Russian rhythmic gymnast, is struggling to become an Olympic champion. It is the most important year of her career and her last chance to achieve the ultimate goal, an Olympic gold medal. The film creates a captivating portrait of a young woman who is desperately trying to handle her own ambitions and meet the expectations of the official Russian training system. It offers exclusive access to the hidden world of elite gymnastics and a unique insight into the triangle between the young sportswoman and her two trainers: Amina Zaripova and Irina Viner. Over the Limit is an intimate drama about the brutal relationships that lead to success.

Director: Marta Prus
Cinematographer: Adam Suzin
Produced by: Telemark
Country and year: Poland, Germany, Finland, Brazil, 2017


Prince and the Dybbuk, The


A cinematic journey through the life and work of Michał Waszyński, the director behind a number of recognized pre-war films featuring Eugeniusz Bodo and the mystical adaptation The Dybbuk. He was a producer of Hollywood hits with Sofia Loren and Claudia Cardinale. The film tries to unravel the mystery of Waszyński, a true human chameleon constantly rewriting his own biography. Some have remembered him as a distinguished aristocrat and husband to an Italian countess, others regard him as a talented, openly homosexual director and brilliant producer.

Original title: Książę i dybuk
Directors:
Elwira Niewiera, Piotr Rosołowski
Cinematographer: Piotr Rosołowski
Produced by: Film Art Production, Kundschafter Filmproduktion, Zero One Film
Polish distributor: Against Gravity Sp. z o.o.
Country and year: Poland, Germany, 2017


Thirty Souls


Alba is 12 years old and wants to discover the mysterious, fascinating, and unknown reality of death. With her best friend Samuel, she enters abandoned houses, travels through forgotten villages, and explores remote mountains that hide another parallel world. Hers is a journey to reveal the unexplainable conflict between the living and the dead.

Original title: Trinta Lumes
Director: Diana Toucedo
Cinematographer: Lara Vilanova
Produced by:DianaToucedo Films, Lasoga Films
Country and year: Spain, 2018


Victory Day


Every year on 9th May, people gather in Treptower Park in Berlin. They come dressed in their best outfits or in Soviet military uniforms. They carry flags, banners, and posters. They lay flowers at the Soviet War Memorial. They sing, dance, and drink. They celebrate the victory of the Soviet Union over Nazi Germany. This film is a direct reportage from Treptower Park 72 years after this victory.

Original title: Den' Pobedy
Director:
Sergei Loznitsa
Cinematographers: Diego García, Sergei Loznitsa, Jesse Mazuch
Produced by: Imperativ Film
Country and year: Germany, 2018


Welcome to Sodom


Cleverly interwoven, the destinies of the various protagonists unravel the complex story of this apocalyptic society. Their very personal inner voices allow a deep insight into life and work in this place – and of Sodom itself. Life on the landfill becomes a picture puzzle of our modern globalised civilisation; short-lived technology becomes a metaphor for our luxury, throw-away capitalist society. The seemingly apocalyptic setting is, for those who live there, a place full of perspective. There is no sign of the “end of days”, quite the opposite in fact. In hope of a better future, they have converted the landfill into a bustling place full of life and “get up and go” attitude. Everybody here in Sodom is in some way or another living off the blessings of the computer age, and many die as a result of them. The film portrays people whose existence and everyday lives are not only formed by modern technology, but threatened by it too. This is a place where the curse of digital consumer madness has manifested itself. Sodom is the true end of our modern digitalised world – and it will most probably be the final destination of the tablet, the smartphone, and the computer you buy next.

Directors: Christian Krönes, Florian Weigensamer
Cinematographer: Christian Kermer
Produced by: Blackbox Film & Medienproduktion GmbH
Country and year: Austria, 2018


When Lambs Become Lions


In a Kenyan town bordering wildlife conservation land, two men try to hold onto their increasingly fragile status quo. A small-time ivory dealer fights to stay on top while forces mobilise to destroy his trade. When he turns to his cousin, a conflicted wildlife ranger who hasn’t been paid in months, they both see a possible lifeline. The plummeting elephant population in Africa has captured the attention of the world, and as the government cracks down, the poachers face their own existential crisis. For them, conservationists are not only winning their campaign to value elephant life over its ivory, but over human life as well. Who are these hunters who risk death, arrest, and the moral outrage of the world to provide for their families? Director Jon Kasbe followed the film’s subjects over a three-year period, gaining an extraordinary level of access and trust as he became part of their everyday lives. The result is a rare and visually arresting look through the perspectives and motives of the people at the epicentre of the conservation divide.

Director: Jon Kasbe
Cinematographer: Jon Kasbe
Produced by: The Documentary Group
Country and year: Kenya, USA, 2018


When the Bull Cried


When the Bull Cried offers a poetic look at a mystical mining camp, high up on a Bolivian mountain, where life revolves around tin. Men and women of all ages search for their luck in the belly of a powerful peak, which they rip open with dynamite. Work in the ice-cold mineshafts is hard and dangerous, so the miners ask 'El Tio', Lord of the Darkness, for protection by honouring him with copious amounts of alcohol. When the mountain eventually stops rewarding them with metal, life becomes even tougher, so they prepare for an offering to pay it back.

Directors: Bart Goossesn, Karen Vázquez Guadarrama
Cinematographer: Karen Vázquez Guadarrama
Produced by: Minds Meet
Country and year: Belgium, 2017

CO-FINANCED BY: THE MINISTRY OF CULTURE AND NATIONAL HERITAGE OF THE REPUBLIC OF POLAND, THE CITY OF TORUŃ, KUJAWSKO-POMORSKIE REGION AND POLISH FILM INSTITUT

PROJECT IS CO-FINANCED BY THE EUROPEAN REGIONAL DEVELOPMENT FUND WITHIN THE REGIONAL OPERATIONAL PROGRAMME FOR KUJAWSKO-POMORSKIE REGION FOR THE YEARS 2014-2020

 

  • Co-financed by
  • Hosted by
  • Co-financed by
  • Strategic Sponsor
  • Main Partner
  • Official Sponsors and Partners
  • Industry Partners and Sponsors
  • Press
  • Sponsors
  • Partners

Partners

  • MKiDN en
    Unia Europejska
  • torun
  • PISF
  • energa
  • kujawy pomorze
    urząd marszałkowski
    partner główny tekst
  • ARRI
    HAWK
    canon
    Sony
    creamsource
    Panavision
    angenieux
    zeiss
    cinemacity
    mercedes
    tvp
  • sfp
    filmlight
    fujifilm
    leitz
    harkness
    panalux
    B&H
    otto
    cooke
    desisti
    pictureshop
    lightcraft
    lg
    Bvk
    Theasc
    Bsc
    AFC
    acs
  • PR3
    PAP
    rzeczpospolita
    rp.pl
    polskapress
    ipl
    nowosci
    Wp.pl
    filmweb
    ams
    Kino Polska
    Filmbox
    sundance
    amc
    Kino
    Film Pro
    TelePro
    ekrany
    presto
    Film&Tv Kamera
    thr
    American Cinematographer
    ICG
    Film&Tv Kameramann
    British Cinematographer
    cineworld
    definition
    camera&light
  • carlsberg
    william grant
    schweppes
    trendspirits
    bzk
    napar
    paluszek
    corso
  • jordanki
    horzycy
    XLO
    kpfr
    infostrada
    kultura2_0
    ezdrowie
    exea
    mab
    exon
    BZG
    zaiks
    kancelaria
Go up  
Desc overwritten by jQuery
EnergaCAMERIMAGE 2023
  • General information 2023
  • SUBMIT A FILM, MUSIC VIDEO OR A TV SERIES EPISODE
  • About Us
  • Partners
  • Contact
  • GDPR
  • Photos
  • Guests
  • Archive
© Energa Camerimage International Film Festival 2023. All rights reserved.
realizacja 052b