Festival
For B2B partners
TUMULT Foundation
Rynek Nowomiejski 28
87-100 Toruń
Poland
TIN 9560008579
Contact
+48 56 621 00 19
+48 56 652 21 79
+48 56 652 21 97
© EnergaCAMERIMAGE International Film Festival 2025. All rights reserved.
MAIN COMPETITION
Golden Frog: Joker
cin. Lawrence Sher
dir. Todd Phillips
Silver Frog: The Two Popes
cin. César Charlone
dir. Fernando Meirelles
Bronze Frog: The Painted Bird
cin. Vladimír Smutný
dir. Václav Marhoul
*** *** ***
FIPRESCI AWARD
The International Critics Prize to the director of the best film in the Main Competition – under specific consideration of its cinematography: The Painted Bird
cin. Vladimír Smutný
dir. Václav Marhoul
*** *** ***
AUDIENCE AWARD
Golden Frog: Joker
cin. Lawrence Sher
dir. Todd Phillips
*** *** ***
POLISH FILMS COMPETITION
Best Polish Film: Mister T.
cin. Adam Bajerski
dir. Marcin Krzyształowicz
*** *** ***
STUDENT ETUDES COMPETITION
Laszlo Kovacs Student Award - Golden Tadpole: Lefty/Righty
cin. Alfonso Herrera Salcedo
dir. Max Walker-Silverman
school: NYU - Tisch School of the Arts
Silver Tadpole: Mariam and Natan
cin. David Bajerski
dir. David Bajerski
school: Łódź Film School
Bronze Tadpole: The Last Children in Paradise
cin. Felix Pflieger
dir. Anna Roller
school: HFF München - Hochschule für Fernsehen und Film
*** *** ***
DOCUMENTARY FEATURES COMPETITION
Golden Frog — best documentary feature: Midnight Family
cin. Luke Lorentzen
dir. Luke Lorentzen
Golden Frog — best docudrama: Marek Edelman... and There Was Love in the Ghetto
cin. Jakub Kijowski, Jolanta Dylewska
dir. Jolanta Dylewska
*** *** ***
DOCUMENTARY SHORTS COMPETITION
Golden Frog — Grand Prix: Kamali
cin. Jake Gabbay
dir. Sasha Rainbow
Special Mention: Oneself
cin. Christiaan van Leeuwen
dir. Carolien van Maaswaal
*** *** ***
DIRECTORS’ DEBUTS COMPETITION
under the patronage of the Polish Filmmakers Association (SFP)
Best Director's Debut: Pacified
cin. Laura Merians
dir. Paxton Winters
*** *** ***
CINEMATOGRAPHERS’ DEBUTS COMPETITION
under the patronage of the Polish Filmmakers Association (SFP)
Best Cinematographer's Debut: Pacified
cin. Laura Merians
dir. Paxton Winters
*** *** ***
MUSIC VIDEOS COMPETITION
Best Music Video: James Massiah Natural Born Killer (Ride for Me)
cin. Mauro Chiarello
dir. Ian Pons Jewell
Best Cinematography in a Music Video: Jon Hopkins Singularity
cin. Khalid Mohtaseb
dir. Seb Edwards
*** *** ***
FIRST LOOK - TV PILOTS COMPETITION
Best Pilot: Euphoria
cin. Marcell Rév
dir. Augustine Frizzell
*** *** ***
ADVERTISING SPOTS COMPETITION “EUROPEAN FUNDS IN FOCUS”
organised in co-operation with Kujawsko-Pomorskie Region
Main Prize ex aequo: The Podkarpackie Region for Zmieniamy Podkarpackie z Funduszami Europejskimi. Dla siebie, Bliskich, Wszystkich
Main Prize ex aequo: Masovian Unit for the Implementation of EU Programs for Pałac w Korczewie
Special Mention: Ministry of Investment and Economic Development for Europejskie dla MŚP
*** *** ***
SPECIAL AWARDS OF 27th EnergaCAMERIMAGE
Lifetime Achievement Award: John Bailey
Lifetime Achievement Award for Director: Peter Greenaway
Lifetime Achievement Award for Acting: Danny DeVito
Duo Award: Cinematographer – Director: Robert Richardson – Quentin Tarantino
Special Directing Award: Lech Majewski
Award for Outstanding Achievements in Documentary Filmmaking: Helena Třeštíková
Award to Production Designer with Unique Visual Sensitivity: Jan Roelfs
Award for Polish Film Actress: Ewa Dałkowska
Award to an Actor: Richard Gere
Krzysztof Kieślowski Award: Edward Norton
Poster for the 27. EnergaCAMERIMAGE
Design: Piotr Jabłoński
EXHIBITION "ARTUUM MOBILE: THE WORLD OF SASKIA BODDEKE AND PETER GREENAWAY"
10.11.2019 – 1.03.2020
Centre of Contemporary Art „Znaki Czasu”
The exhibition was build around the work of the artist couple Saskia Boddeke and Peter Greenaway.
Peter Greenaway gained world recognition thanks to his visually sophisticated film interpretations of great paintings, especially the ones from the old times. Being an outstanding interpreter of works of other eras, he also became an inspiration for the creative achievements of subsequent generations of artists.
The creative director of the exhibition, consisting of three parts, is the recognized multimedia artist and director, Saskia Boddeke. The first part is a multimedia installation of her authorship, with Greenaway's texts and sculptures and the music of Luca D'Alberto. The whole is an interpretation of the motif of the four horsemen of the Apocalypse. They symbolize misfortune, but also inequality between disease and plague, thirst and hunger, violence and war. It is an artistic diagnosis of the present, a poetic and metaphorical story about basic human rights: getting education, freedom of speech, freedom of religious beliefs or lack of them, as well as the right to grow up in a safe and healthy environment.
In the second, we invite visitors to the Greenaway Atelier - a space specially arranged at the Center for Contemporary Art in which the artist, surrounded by his paintings, inspiring objects and painting attributes, will create new artistic compositions for the whole three days, just like in his own studio. While working, Greenaway will be watched by a film crew who will prepare visual documentation. After finishing work, it will be displayed on the table at which the artist created his works. About 90 works from the series Mythologies, Dynasties, Body parts, The ‘Married’ Couples, Rembrandt’s studio, Children of Uranium, Dutch Landscapes and The Elements will be presented in the Atelier space. The presented paintings and drawings have been created in the last ten years in acrylic technique on cardboard with elements of collage.
The last element of the exhibition is Silent Cinema - a space where on comfortable sofas, in a home-like atmosphere, the audience will be able to watch the documentary film Alphabet of Greenaway, a film from Saskia Boddeke about Peter Greenaway and their daughter - Pip. In conjunction with the film review, the installation will be an unusual and unique artistic whole.
The project will be accompanied by a film section - a review of films by Peter Greenaway and other European artists inspired by painting. In this way, the thematic axis merges the elements of the exhibition under the common slogan of the link between painting and the lives of old masters and contemporary filmmaking. In the review we presented 11 films, including The Draughtsman’s Contract and Nighwatching by Peter Greenaway, The Seventh Seal by Ingmar Bergman, Paula by Christian Schwochow, Andrei Rublev by Andrei Tarkovsky, Edvard Munch by Peter Watkins, and others.